Two French Protestant refugees in eighteenth-century Amsterdam gave the world an extraordinary work that intrigued and outraged readers across Europe. In this captivating account, Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt take us to the vibrant Dutch Republic and its flourishing book trade to explore the work that sowed the radical idea that religions could be considered on equal terms.

Famed engraver Bernard Picart and author and publisher Jean Frederic Bernard produced The Religious Ceremonies and Customs of All the Peoples of the World, which appeared in the first of seven folio volumes in 1723. They put religion in comparative perspective, offering images and analysis of Jews, Catholics, Muslims, the peoples of the Orient and the Americas, Protestants, deists, freemasons, and assorted sects. Despite condemnation by the Catholic Church, the work was a resounding success. For the next century it was copied or adapted, but without the context of its original radicalism and its debt to clandestine literature, English deists, and the philosophy of Spinoza.

Ceremonies and Customs prepared the ground for religious toleration amid seemingly unending religious conflict, and demonstrated the impact of the global on Western consciousness. In this beautifully illustrated book, Hunt, Jacob, and Mijnhardt cast new light on the profound insight found in one book as it shaped the development of a modern, secular understanding of religion.

Margaret Jacob and Larry Stewart examine the profound transformation that began in 1687. From the year when Newton published his Principia to the Crystal Palace Exhibition of 1851, science gradually became central to Western thought and economic development. The book aims at a general audience and examines how, despite powerful opposition on the Continent, a Newtonian understanding gained acceptance and practical application. By the mid-eighteenth century the new science had achieved ascendancy, and the race was on to apply Newtonian mechanics to industry and manufacturing. They end the story with the temple to scientific and technological progress that was the Crystal Palace exhibition. Choosing their examples carefully, Jacob and Stewart show that there was nothing preordained or inevitable about the centrality awarded to science. "It is easy to forget that science might have been stillborn, or remained the esoteric knowledge of court elites. Instead, for better and for worse, science became a centerpiece of Western culture."